Hannah O'Flynn is an artist, filmmaker, researcher and curator from Barcelona. She currently is the director of with the rubbles of old palaces, a cultural (research) space in Kreuzberg, Berlin. Her work examines human and non-human relationships to dominant structures of oppression, and the long histories of resistance against them. Her current work looks at food as life-sustaining, cultural ecosystem and political product, and investigates the intersections between food practices, culinary histories, food production and trade, and global politics; attempting, through these intersections, to map global networks of capitalist, colonial and imperialist relations. In 2022 O'Flynn produced SMASHED: Speaking Histories of Insurrection, a collage of interviews around the Irish pub as a political space for community building, oral history transmission and anti-colonial organising in the context of the long British occupation of Ireland. In 2023 she made the film Pain de Fantasie in collaboration with Kari Leigh Rosenfeld for the exhibition Supply Chain Indigestion with Tian Guoxin, where she examines the intersecting colonial histories of the global expansion of the baguette. She just finished the film Liquid Sands, where she examines the colonial discourse within the land reclamation projects of both Singapore and the Netherlands. Hannah O'Flynn is a graduate of the Kingston School of Art and holds an MA from the Dutch Art Institute.

SOLO EXHIBITIONS

2024: Liquid Sands at with the rubbles of old palaces, Berlin

2022: SMASHED: Speaking Histories of Insurrection for the Project Space Festival 22 at with the rubbles of old palaces, Berlin

GROUP EXHIBITIONS

2023: No Backup for 601 Days at W139, Amsterdam

2023: The Critical Drinking Curriculum at Juxtapose Art Fair, Aarhus

2023: Supply Chain Indigestion at with the rubbles of old palaces, Berlin

2019: Holding Hands from Afar, at Bebe Books, DOK, Gent

2019: LEAVE A MESSAGE AFTER THE.. / I want to be in a room with some wifi, at Pleasure Zone, Basel

2018: Performing // Ritual // Object, Kingston upon Thames

2017: The Toilet Show, Beiluoguxiang Public Toilet, Beijing

2015: No Working Project at the Tate Modern, London

2015: Marginalised at the Central Academy of Fine Arts Museum, Beijing

2014: Time at the Picker Gallery, Kingston upon Thames

2014: Portable Exhibition - A Mobile Utopia, Kingston upon Thames

PERFORMANCES

2023: THE HEIST: A Tour Guide with Tian Guoxin and Liu Chao at BPA//Room, Berlin

2022: Cloud Tongues for the Her Face theatre series with Paper Tiger Theatre and Kunstbetrieb Birach, Berlin

2020: The Cooking Show Seminar: Politics of Food, Amsterdam

2019: Dust Floating in the Dark — A Disenlightened Dream in What’s with Privacy when it’s too Loud Outside? at the WAS Biennale, Berlin

2018: Waiting (part II) in Razzmatazz V, London

2018: Waiting (part I) in Harvesting Mind, Braunschweig

2017: Imperial Lunch, the Forbidden City, Beijing

2017: Water in Razzmatazz 3: Performing Borders at Museum of Futures, Surbiton

2016: A Night of Perpetual Performances, Goethe Institut, Beijing

2016: Sayingzheng III, Tuanjiehu Park, Beijing

FILMS

2024: Liquid Sands (25:11 min)

2023: Pain de Fantasie (29:25 min)

CURATION

2025: Where the Landscape Ends film festival at with the rubbles of old palaces, Berlin

2024: IMBISS: A Working Group workshop series at with the rubbles of old palaces, Berlin

2024: Becoming Stones exhibition at with the rubbles of old palaces, Berlin  

2023: Portrait ot Landscape, Anahita? exhibition at with the rubbles of old palaces, Berlin

2023: Supply Chain Indigestion at with the rubbles of old palaces, Berlin

2022: Promises of Ever-coming Prosperity series at with the rubbles of old palaces, Berlin

2022 - present: Critical Drinking Curriculum at with the rubbles of old palaces, Berlin

2020 - present: IMBISS: a Politics of Food Research Group, Berlin & Amsterdam

2017: The Toilet Show, Beiluoguxiang Public Toilet, Beijing

WRITING & PUBLISHING

2023: sunshine gold, oriental red, hayward green for BPA// Exhibition 2023 at KW Institute for Contemporary Art, Berlin

2023: Un buque frigorífico llano de plátanos article series for the online magazine HAMBRE 

2020: Chimeras of Infinite Expansion: Thinking Capital Accumulation with Fruit Chan’s Dumplings

2019: Russian Literature Better than Sex: Singular You or Plural I? in Not a Neutral Conduit: Fictocritical Approaches in Artistic Research — Reader on Stage

2018: In Search of the Miraculous: Bas Jan Ader on the Absurd and the Longing for Transcendence

2017: Little Eating Emperors zine with Nornir

2017: Weishan artist book

TEACHING

2024: IMBISS: A Working Group - Episode 2: Butter/Im at with the rubbles of old palaces, Berlin

2024: IMBISS: A Working Group - Episode 5: al-Andalus at with the rubbles of old palaces, Berlin

2024: Saoirse online study group series at with the rubbles of old palaces

2023: میزبانی Hosting workshop with 皮包公司 Pibao Gongsi at S27, Berlin

2020-2021: Vladmail online study group series

AWARDS & FUNDING

2025: funded by Bezirkskulturfonds Friederichhein-Kreuzberg for Where the Landscape Ends

2025: selected for the film festival SmallRigs Awards with Liquid Sands 

2024: funded by Rosa Luxemburg Stiftung for IMBISS: A Working Group

2024: funded by Bezirkskulturfonds Friederichhein-Kreuzberg for Liquid Sands

2023: funded by Hauptsadtkulturfonds for Anahita

2023: funded by Culture Moves Europe (Goethe Institut) for The Critical Drinking Curriculum, Juxtapose Art Fair

2023: funded by Präsentationen Zeitgenössischer Bildender Kunst (Senatsverwaltung für Kultur und Europa) for Supply Chain Indigestion

2023: funded by Bezirkskulturfonds in Friederichhein-Kreuzberg for Supply Chain Indigestion

2022: funded by Neustart Kultur Prozessförderung (Fonds Darstellende Künste) for Her Face: Cloud Tongues

2022: selected and funded for the Project Space Festival 22 for SMASHED: Speaking Histories of Insurrection

RESIDENCIES

2025: A4 Art Museum International Residency Program, Chengdu

EDUCATION

MA Art Praxis, Dutch Art Institute (2018-2020)

Exchange Program at the  Experimental Arts Department, Central Academy of Fine Arts, Beijing (2014)

BA Fine Arts, Kingston University, London (2013-2017)

Foundation Program at University of the Creative Arts, Epsom (2013)